John Passion with Nicholas McGegan and Cantata Collective (bass arias, Pilate), Bach’s St. Recent soloist performance highlights include a recording of Bach’s St. Halverson Award, presented by the Edvard Grieg Society of America for an outstanding performance of Grieg’s music, and is also the 2020 recipient of the Yale Institute of Sacred Music’s Margot Fassler Prize in the Performance of Sacred Music. He was the first-ever recipient of the William H. He is the first-place winner of the 2020 Colorado Bach Ensemble Young Artist Competition, as well as the first-place winner of the Edvard Grieg Society of Minnesota’s 2018 Voice Competition. In January 2018, Hintzsche made his international debut at London’s Wigmore Hall in a collaborative art song recital with pianist and scholar Graham Johnson as a part of Johnson’s recital series, “Franz Schubert: The Complete Songs,” and was noted by Opera Today for displaying a “strong sense of narrative” and “gentle poignancy” in his interpretations of Schubert’s work. He has been praised for his warm lyric tone, musical subtlety, and dedication to text. “Sonorous” (Opera News) and “Suave” (parterre box) baritone Harrison Hintzsche is a recitalist, concert singer, and ensemble musician who enjoys the unique challenge of interpreting a wide range of diverse repertoire. Andrew is an alumnus of the Fall Island Vocal Arts Seminar and the Tanglewood Music Center. Other highlights include Reich’s Three Tales with Ensemble Signal, Liebeslieder Waltzes with the Mark Morris Dance Group, and Vaughan Williams’s On Wenlock Edge with the Momenta Quartet. Outrageous with AOP, Alexander Goehr’s song cycle Verschwindenes Wort for Juilliard’s Focus Festival, and Zachary Wadsworth’s oratorio Spire and Shadow with Downtown Voices. Equally passionate about contemporary music, Andrew has premiered a number of works, including the principal role of ME in Daniel Thomas Davis’s chamber opera Six. He recently made his Kennedy Center debut in Monteverdi’s Vespers with The Thirteen and his Lincoln Center debut in Bach’s Magnificat with the American Classical Orchestra. Tenor Andrew Fuchs’s wide-ranging repertoire includes an abundance of early music, which he has sung with such groups as Pegasus, Tenet, Artek, The Choir of Trinity Wall Street, and New York Polyphony.
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